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NEW STUDENT GUIDE / VOICE

Thank you for choosing Octopus Music School for your or your child’s musical education! Learning to play music can be a fulfilling lifelong journey and we couldn’t be happier that you have chosen us to be your child’s guide!

WHAT TO EXPECT

Learning to sing is both exciting and challenging! Understanding the anatomy of the body in relation to that of the vocal tract is key to aid in healthy singing. Octopus Music School fosters the creation of the well rounded singer: technically, musically, theoretically, and linguistically through varied repertoire. Vocal students regardless of natural ability, will need a strong technical foundation to ensure healthy and consistent vocal production. It is important to remind students that practice and patience are very important. If things don’t immediately sound the way you or your child expect, don’t worry! This is normal. Our teaching staff will let you know if they feel there is something extra you can do to help the student’s progress.

FIRST SONG

At the first lesson, students natural ability to sing will be assessed. Then after, the student and teacher will agree on a simple song to begin working. The fundamentals must be in place first:regular practice habits, correct posture, breath management, support, and the basics of producing a clear sound. It is important to be patient, we want to make sure that a student is adequately prepared before beginning to work on repertoire.

OPUS CURRICULUM

Students studying at OMS will benefit from our proprietary curriculum and assessment system, OPUS (Octopus Poly-instrumental Units of Study). OPUS comprises ten grade levels, each with an accompanying assessment. Each grade level should take a student, on average, 6-10 months to complete. In order to advance to Grade 6, students must complete both a Theory and Aural Training Workshop as well as a minimum of twelve hours of Ensemble Classes. Our piano curriculum emphasizes key skills that are crucial to students’ proper development. From the beginning, we emphasize sight-reading, aural training, proper posture and curved fingers, rhythm skills, scales, and repertoire development.

ADVANCING GRADE LEVELS

Our curriculum features a 10-tiered program of advancement wherein graduation from each level is increasingly difficult. For reference, we expect students on the traditional track to graduate from Level 1 in 3-5 months. In contrast, students in Levels 8-10 who practice regularly are expected to advance in a year, or perhaps even longer, depending on the challenges presented in their studies.

PRACTICE, PRACTICE, PRACTICE

The absolute most important aspect of learning any musical instrument is consistent daily practice. It should
be understood that the entire body works to supports the vocal apparatus. Singers are athletes and their
vocal supporting muscles build memory based on repetition. Students should aim to practice each day for the same amount of time they spend in their weekly lessons. If a student is taking a 30-minute lesson, the daily practice goal should be 30 minutes. Of course, that is the goal, and students shouldn’t aim too high in the beginning!

TIPS FOR PRACTICE SUCCESS

Facilitate success by setting a time each day for practice. At first, it can be just a few minutes, with the goal of increasing as the student progresses. Set a timer and have a “practice space” where the instrument and all of the necessary materials are easily accessible. Practice should be associated with positivity rather than negativity. Instead of an ultimatum (“Practice, or no screen time), try to make it a reward (“Every 20 minutes of practice earns you 20 minutes of screen time”). Talk to your child’s private instructor to form a plan if you have ongoing concerns.

HOW CAN I HELP MY CHILD?

The amount of adult help students need varies by age; very young students may need 15-30 minutes of parents’ daily, hands-on attention. Students should become increasingly independent in their practice over their months and years of study. If your child has trouble making practice part of their daily routine, we recommend starting small and making goals to increase time as your child’s attention span and interest is cultivated.

LISTEN, WATCH, REPEAT!

Encourage your child to listen to music that prominently features the instrument they are learning. This can be done by simply listening to music in the car or at home, or, taking your child to live music events so they can see first-hand where all of the hard work they are putting in can lead.

CULTIVATE A WELL-ROUNDED EXPERIENCE

ENSEMBLES

Beginning with Grade 3 in our curriculum, students may be placed in an ensemble (including chamber orchestra, duets/trios/quartets, pop/rock bands, and choir). The OMS team is always putting their heads together to come up with new and exciting opportunities to maximize the learning experience. Fluency in an instrument is built not just in lessons, but in pursuing outlets (such as public performance opportunities) to exercise those skill sets developed in the lesson room.

PERFORMANCE OPPORTUNITIES

OMS holds two yearly Showcase Series, one in the spring, and one in the winter. Students are usually ready to perform after a year of lessons, however this of course varies. Before you register your child for a showcase, first discuss the possibility with their instructor to make sure they are ready to perform! Besides our school recital series, we also cultivate performance opportunities outside our school. These events are limited to advanced students who show a serious interest in performance and are generally reserved for those at OPUS Grade 6 or above

VOCAL HEALTH

Unlike learning an instrument that is outside the human body, the human voice requires that all parts work in tandem at the very early stages of lessons to create ease of functionality and healthy and consistent sound production. Vocal health is directly linked to personal health. Singers should treat their bodies with as much care as athletes to ensure consistent vocal production. Students should be completely honest with their teachers if they are experiencing vocal fatigue during the lesson or after practice.

DO

• Drink suffcient water on a daily basis, and engage in cardio exercises regularly.
• Vocalize carefully daily/regularly.
• Steam and use a humidifer regularly.
• Dress appropriately for changing weather conditions to protect from illness.
• Avoid foods that cause: infammation, excessive mucus build-up, and acid refux.
• Talk to your ENT, doctor, and/or teacher if you experience recurring vocal fatigue.
• Rest your voice and make sure to get tons of sleep.
• Be aware of the effect emotions can have on you. Stress and anxiety can contribute to
physical tension in sites like the throat, neck, chest and shoulders. These areas should be
relaxed to produce an easy voice.

DON'T

• Abuse voice by excessive: screaming, belting, no smoking, inhaling harsh chemicals etc...
• Try to “stretch range”
• Sing/Talk when sick
• Try to mimic another person’s singing voice (your voice is enough)!
• Cough or clear your throat habitually, which can contribute to vocal cord injury. Swallow
your saliva and take sips of water instead.
• Talk or shout above high noise levels, or across large spaces. Instead, move nearer and face
the person you are talking to. Use non-verbal means such as gestures to gain attention and
convey some of your messages. If needed, use a microphone to speak to a large audience.
• Expose your voice to dusty, polluted and dry environments. This includes keeping away
from smokers or smoky places.
• Whisper or peaking on a vocal “fry” –‘underusing’ your voice can cause strain and muscle
tension in your voice box.

TOOLS OF THE TRADE

There are a few items you will want to make sure your child has to ensure that they are set up for success!

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